Dance Industry takes pride in it's dedication to art of Ballet. Our Performing Company artists have the opportunity to further their dance education through our prestigious Ballet Program.
Follow us on Instagram! @theballetconservatoryatdi

Come train with the industry's elite master teachers this summer at Dance Industry. Stay tuned as we announce our faculty, schedules and more. This intensive is open to all artists ages 8-18. We will be accepting submissions for the intensive soon!

WHITNEY POPP began training with Mid Columbia Ballet in
Washington, and later trained at Pacific Northwest Ballet. She then spent 5
years as a principal dancer with Sacramento Ballet performing many lead
roles such as Odette/Odile in Swan Lake, leads in numerous Balanchine
ballets, and the Cowgirl in Agnes de Milles Rodeo, just to name a few.
Whitney was chosen to perform in many works by outstanding
choreographers as well, such as Dwight Rhoden, Amy Siewert, and Val
Cannaparoli. After moving to New York, she was discovered by Twyla
Tharp and joined Twyla Tharp Dance. Whitney toured Europe with Twyla
Tharp Dance and went on to become one of Twyla’s leading principals for
the creation of several new works. Whitney also joined the 1 st Nat’l
Broadway tour of Movin’ Out performing multiple lead roles. She later
toured Europe once again, this time with her husband Corbin, performing
more works by Twyla Tharp. Whitney has had the privilege of teaching all
over the world and lives in Colorado with her husband and their three
children. She is a proud faculty member of Colorado Ballet Academy.
Whitney is also a co-founder of the performing company Lightwire Theater
based in New Orleans that finished in the semi finals of Americas’ Got
Talent in 2013.

Matthew Dibble was born in Halifax, West Yorkshire, U.K. At the age of 11, he entered the Royal Ballet School White Lodge where he trained for five years followed by two years in the Royal Ballet Upper School. Upon graduating, he became a member of the Royal Ballet under the directorship of Anthony Dowell. In his five years in the company, Matthew rose to First Artist, dancing many roles including those created for him by choreographers such as Christopher Wheeldon, William Forsythe, Ashley Page, Twyla Tharp, William Tuckett, and Michael Clark. In 1999, Matthew decided to leave the Royal Ballet to become a founding member of K Ballet Company in Tokyo, Japan. He spent three years in Japan, working closely with director Tetsuya Kumakawa and choreographers such as Roland Petit. He danced many leading roles in the classics and modern classics including those by Sir Frederick Ashton. Matthew was then invited to the United States where he began a close collaboration with famed choreographer Twyla Tharp. He became a member of her company Twyla Tharp Dance, later joining the cast of her smash hit musical “Movin’ Out” to the music of Billy Joel. He appeared in several parts including the principal roles of Eddie and James in both the Broadway production in New York and the West End production in London. In 2007, Matthew returned to Europe
to join Matthew Bourne’s company, Adventures in Motion Pictures in London, dancing in the production of “The Car Man, Bizet’s Carmen Reimagined” around the United Kingdom. During this time, he also became a guest principal artist with the Scottish Ballet, worked with Benjamin Millepied and was a member of Christopher Wheeldon’s company Morphoses in New York City. Thereafter, Matthew came back to Broadway in 2010 to create the principal role of Chanos in Tharp’s new musical “Come Fly Away” which he then danced on tour around the world as well as at the Tony Awards. Two decades after first inviting Matthew to join her company, Tharp continues to create many featured works for him, including Yowzie and Beethoven Opus
130 featured during Twyla Tharp Dance’s 50th Anniversary Tour. Along with dancing, Matthew now has the great honor of staging both Benjamin Millepied and Twyla Tharp’s works in the United States and abroad, along with leading master classes and workshops for students and professionals alike.

Tiany Mori began dancing in her hometown of Osaka, Japan. After being awarded the silver medal at the National Ballet Competition in Japan, Ms. Mori traveled to the U.S. to complete her training at the Miami City Ballet School, under the direction of Edward and Linda Villella. Ms. Mori began her professional career with Tulsa Ballet II and BalletMet Columbus, then proceeded to join the Saint Louis Ballet under the direction of Gen Horiuchi in 2009. As a leading artist of the company She has performed principal roles in full-length ballets including: Coppelia, Romeo and Juliet, Don Quixote, Nutcracker, and Sleeping Beauty, and has also starred in works by Twyla Tharp, George Balanchine, and Christopher Wheeldon. She has originated roles in world premieres created by Amy Seiwert, Brian Enos, Monique Meunier, Emery LeCrone, Francis Patrelle and Tom Gold. Every summer, from 2011-2018, Ms. Mori was invited by Gen Horiuchi to dance in the Ballet for the Future
Gala, performing in cities all over Japan. She has also toured to New York City for a world premiere with Tom Gold Dance in 2018. While dancing, Ms. Mori obtained her degree in Chemistry and Mathematics from University of Missouri graduating magna cum laude. Pointe Magazine featured Ms. Mori in an article that depicted her ability to successfully balance her full- time career while earning her bachelors. She is delighted to be passing her dance knowledge down to students around the world. Ms. Mori has successfully completed the ABT® Teacher Training intensive in Pre-Primary through Level 3 of the ABT®
National Training Curriculum. She hopes students will gain the passion and joy of dance through their dedication and commitment in their class, and to utilize the tools they acquire to achieve and fulfill their goals.

Jennifer Chambers Litaker grew up in a ballet studio with her mother and teacher, Helen Chambers. While training and performing with the Tyler Civic Ballet, under the direction of Paula Sansom, Jennifer was privileged to work with artists such as Anne Burton Avery, David Howard, Patricia Thomlinson and Richard Hubsure. Jennifer found her love for ballet and passion for anatomy collide while earning her Fine Arts Degree at the University of North Texas under the guidance of Arleen Sugano. Working as a research assistant for Arleen, Jennifer was given the opportunity to delve deeper into the idea of a
collaborative ballet technique using science to create a stronger and healthier approach to classical tradition. Accolades achieved include acting as 2 year president of Honor’s Society, Chi Tau Epsilon, Graduating Magna Cum Laude,
choreographic acknowledgement to the College Dance Festival and receiving Student of the Year Honors for Fine Arts. After over a decade of teaching, Jennifer is honored to be a part of the DI Family and share her love for ballet with such motivated young artists. Jennifer is also blessed to have the endless support of her husband, Rob, and three children Zachary, Ava and Mabel.

Our Ballet Rep program focuses on learning repertoire from infamous ballets. Dancers learn the work then audition to be cast. The dancers perform twice a year in The White Theater showcasing their work!

The Ballet Track at Dance Industry is an additional class to expand a dancer’s knowledge of classical
ballet. Dancers will take an in-depth look at technique from an anatomical perspective, study ballet
terminology and history, and learn classical repertoire.

This Track is for those who are serious about their ballet training and desire a future in the ballet industry. These dancers attend an extra 2 hour ballet technique on Friday evenings.

Our Ballet program also trains dancers for varies Ballet Competitions all around the country. Attending events such as YAGP, ADCIB and others, our dancers are exposed to artists in the ballet world.
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.